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“The Lord loveth a cheerful liver, Moses,” said his mother encouragingly, as she saw the growing acidity of the boy’s countenance. Mrs. Wopp had never forgotten a certain missionary service, during which she had studied a text in gold lettering of old English type on the wall. The uncertain light of stained glass falling on the last word had made it difficult to read. But at last realizing that a sound liver and cheerfulness are closely associated, she had seen no incongruity in her translation of the text.,

Bess arrived at last. A gorgeous affair was her chariot, the foundation being Mr. Prettyman’s spring wagon. Bess, with some borrowings, Charley’s help, and her own quick invention, had made a very good imitation of a circus wagon. Charley, the Strong Man, held the reins over old Dom Pedro, the horse she loved, that had once been a racer. She had discovered some very real looking, jointed snakes that wriggled and curved in a manner startlingly serpentine; while tremendous boa constrictors, cut from old circus posters, were disposed about the cage in alarmingly lifelike positions.,

“Poor little Billy! You’ve had a hard night of it.”,

“That man Zalhambone’s playin’ rasped all up an’ down my spine,” she criticized. Then harking back to thrills she really had felt despite her prejudice, she admitted grudgingly, “My, but his han’s did fly over them keys permiscuous-like.”

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So close was the affiliation between Betty and Moses that exactly three-quarters of an hour after her departure with Miss Gordon for Calgary the impetuous youth was at the rancher’s home trying to inveigle him into a conspiracy to follow the holiday-makers to that city of dazzling attractions.,

“Put a nose an’ eyes over his own planner an’ you’d think there’s the man hisself,” flung back Mrs. Wopp.,

Moses’ intuition regarding St. Elmo’s retreat proved to be correct, and it was a sadly dejected countenance on which he gazed when he looked into the cave. Tears, dirt, and the juice of Saskatoon berries mingled on the fair sleeping face of the child, until he seemed to be the very Cree Indian he had so often personated in his play. His long curls were tangled and matted with small twigs. His diminutive brown velvet coat displayed a large rent in the elbow through which oozed a pathetic-looking suppuration of pink and white checked shirt.,

In the house, meanwhile, affairs were proceeding quite as happily as those out of doors. The hostess fluctuated between the parlor and kitchen. She was preparing a repast not only for the workers present, but also for the men-folk who would presently arrive to take them to their respective homes. Excused from quilting, she nevertheless managed to spend considerable time with her guests. Mrs. Mifsud was a lady who aspired to literary attainments. She had read “Beulah,” “Vashti,” “Lucile,” “St. Elmo” and many other books of like calibre. She felt that her talents were practically wasted, living in what she termed a desert, yet she strove, when occasion offered, by elegance of deportment and conversation to enhance her gifts. She often spoke tenderly of the late Mr. Mifsud who, in spite of the fact that his face had been adorned with bristling side-whiskers of an undeniable red, had shown in other ways some signs of intelligence and feeling. He had been carried off by the shingles. According to Mrs. Mifsud’s account, her deeply-lamented spouse had considered the tall attenuated form of his wife “willowy,” her long thin black hair “a crown of glory,” her worn narrow countenance with its sharp nose and coal-black eyes, “seraphic.”